💰 Star Wars: The 5 Best (& The 5 Worst) Scenes From The Sequel Trilogy

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Boyega says the new "Star Wars" trilogy has failed to balance its characters as effectively as the original three movies.


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"WatchMojo" Top 5 Legitimate Gripes with Star Wars: The Last Jedi (TV Episode ) - IMDb
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I've been singing praises for Star Wars: The Last Jedi for the past Likewise, Crait was a beautiful planet that I'd have loved to see more of; I would have also liked to see a bit more of the casino and its ritzy inhabitants.


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I've been singing praises for Star Wars: The Last Jedi for the past Likewise, Crait was a beautiful planet that I'd have loved to see more of; I would have also liked to see a bit more of the casino and its ritzy inhabitants.


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Boyega says the new "Star Wars" trilogy has failed to balance its characters as effectively as the original three movies.


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The knives are out for Rian Johnson again as Star Wars fans react to Rise time on meaningless sidebars like the whole casino planet scene.


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mcb-shop.ru › culture › /12/18 › star-wars-last-jedi-backlash-.


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We get to see a casino planet full of the Star Wars uber-wealthy, the kind of detached from reality people millennial tech billionaires would party.


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A vocal group of fans hated Star Wars: The Last Jedi's Canto Bight The Last Jedi Blu-ray is a chance to reevaluate the film's divisive casino subplot plot we'​ve seen pointless,” and that the entire Canto Bight sequence is a.


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This post contains no major spoilers for Star Wars: The Last Jedi—but it as the driven salt on the mining planet Crait, now is your time to leave. plotline involving the über-rich and fabulous denizens of a high-class casino.


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Tuccille 6. The result is a rushed and poorly executed product of bad management, empty thinking, and shallow wish-fulfillment that will only further the public's loss of faith in the entire enterprise. Police 3 Libertarian Tips for the DefundPolice Movement Reducing law enforcement requires more than merely cutting and shifting a budget.{/INSERTKEYS}{/PARAGRAPH} Most Read. It is probably not an accident that the discourse over The Last Jedi descended into an ugly, intractably polarized debate over the movie's nods to wokeness and diversity. {PARAGRAPH}{INSERTKEYS}You are now logged in. Our shared values have been undermined. Even the relationship between Rey and Leia plays out awkwardly. Peter Suderman 6. All that hiring and firing reflects an understandable anxiety over controlling one of Hollywood's biggest properties. The parallels to our poisoned political discourse are plain to see. Under their watch, Star Wars has retreated entirely into itself, content to recycle and repeat its old mantras in increasingly crude fashion in increasingly desperate hopes of making Star Wars great again. Kennedy just didn't know what Star Wars was supposed to be. Scott Shackford 6. Ciaramella 6. After Lucasfilm sold Star Wars to Disney, Kennedy cycled through writers and directors, firing several who were deep into the development process—and, in the case of last year's Solo , weeks into filming. For the last four years, we have been living a collective nightmare. As a cinematic product, it is surprisingly lackluster, with shoddy effects and muddy visuals. Over and over again, unions have defended bad policing and bad police. As a story, it is empty and unengaging to the point of boredom. So he made a movie about a trio of young heroes who revered and worshiped the series' old heroes, who over the course of the trilogy were cast as mentors for the younger generation. Police Abuse. What people loved about Star Wars was…loving Star Wars. David Bernstein 6. Star Wars has always refracted and reflected the politics and culture of its day. And as an entry in the Star Wars franchise, an ostensibly major part of the pop-culture canon, it is a wasted opportunity: a total failure of both creative imagination and corporate brand management. Lucas spun this into an empire of toys and lunchboxes and spinoff stories. Hotshot pilot Poe Dameron Oscar Isaac and Finn John Boyega have been relegated to the sidelines in previous films; here they are onscreen more often, yet no less irrelevant. And even Driver is undermined by Abrams' hectic pacing, which never seems to trust viewers to linger on a thought for more than a moment. Skywalker is a frantic, disjointed mess—not a movie with good ideas poorly executed, not even a movie with bad ideas, but a movie with no ideas at all, save for saccharine paeans to fandom and nostalgia. Robby Soave 6. Kennedy managed the brand, and Abrams co-wrote and directed the first and third chapters in a new trilogy meant to expand on the sci-fi soap opera that franchise creator George Lucas started back in And now, with The Rise of Skywalker , the third chapter in the trilogy that Kennedy and Abrams began four years ago, the full impact of their creative leadership has become clear. In that way, it bears more than a small resemblance to today's political moment, with its endlessly outraged partisans and pointless displays of symbolism and substantive void. At its least harmful, this nightmare has taken the form of empty nostalgia, in which the leaders who have been entrusted with ushering us into the next era have instead looked into the past, distracting us with symbolic gestures that serve no purpose except to cover up a lack of vision. It didn't offer wholly new ideas, but it did offer a new synthesis, one that blended a pop-mythical storytelling sensibility with film-school formalism and more than a little bit of tie-die weirdness. Jacob Sullum From the July issue. Where Are the Republicans? Ilya Somin 6. If Skywalker reveals anything about the world around it, it's that we are living through an era of mismanagement and lack of vision, of dead-end rehashing, on-screen and off. Something similar happened with Skywalker , where writer-director Colin Trevorrow was taken off the project and Abrams brought back to close out the trilogy he started with 's The Force Awakens. So Skywalker is structured as a series of callbacks, a slideshow of favorite moments and characters, no matter whether they or the actors who play them are dead, and no matter whether they belong in this particular story, whatever it is. Kennedy has no such managerial deftness, and Abrams lacks Lucas' trippy brilliance. I speak, of course, of the Star Wars franchise, which in late returned to movie theaters under the managerial oversight of Lucasfilm's Kathleen Kennedy, with a strong creative influence from Hollywood's reigning prince of blockbuster mediocrity, J. Police violence is a metaphorical disease. Search for:. Gun opponents would leave predatory cops armed and their victims helpless. But the frequency with which Kennedy's creative collaborations collapsed, and the timid, half-baked films that resulted, suggest something worse: a directionlessness and uncertainty about what the brand's value proposition was. Email Address. It's time for those who brought us to this historically low point to finally face some consequences. Instead of following through on that flawed, frustrating film's universe-expanding narrative, Abrams has brought the trilogy back to his original idea: What people love about Star Wars is being reminded that they love Star Wars. This week, it finally started to look as if that nightmare might end—but only in the weakest and most slapdash manner. This resolution, which is not really a resolution, is not only a disaster: It's a disappointment, a pointless, abysmal letdown that is virtually certain to fully satisfy almost no one. The ensuing conversation has been fruitless and ugly, and the experience has left many of us polarized, angry, and exhausted. Christian Britschgi 6. Abrams, who had previously rebooted the Star Trek franchise and directed Super 8 , a relentlessly nostalgic tribute to Steven Spielberg , stepped in with an answer. At its worst, a combination of incompetence, erraticness, and sometimes sheer malice has squandered decades of progress. Why does it endure? That trend continues in Skywalker , which positions resistance leader General Leia Organa as the trainer to Rey, the trilogy's protagonist, who once again must swashbuckle her way through an onslaught of CGI gobbledygook in her quest to…ah, who cares? Certainly not any of the characters, who duly intone about the importance of the mission but seem about as engaged as if they are standing in line at the dry cleaner. Star Wars was a great movie, but it was also a triumph of creative cultural management. Much of that debate was a stand-in for arguments about President Donald Trump—arguments that managed to distract both fans and critics alike from more sober and interesting assessments of the movie's real stylistic strengths and serious narrative flaws. Reducing law enforcement requires more than merely cutting and shifting a budget. Forgot your password? Billy Binion 6. Our cherished culture has come under attack. In part that's because it relies on digital trickery and repurposed footage to resurrect Carrie Fisher, who died in And in part that's because there's so little dramatic inertia, since the movie all but wipes out The Last Jedi , the polarizing middle chapter of the trilogy. Two Buffalo police officers have been suspended and the man is in the hospital. Although other writers and directors have worked on the films, to varying effect, these two have been the chief visionaries. Even I have made a version of this argument before. In the s, when Lucas kicked things off, that meant gay robots, peasant shirts, a soulless evil empire, and new-agey spiritual self-helpisms. Coronavirus is a literal disease. Why do people love Star Wars?